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I too was a teenage listmaker. I recently dug up my Top Five of Looking at this quintet, I marvel at the maturity of my youthful tastes—or do I curse my lifelong adolescence? The point is that listmaking is a first step to an Looking for a good time one night enthusiasm. Juggling, sifting, thinking about the best films leads to measured judgments, the plundering of film histories, a nascent critical acuity. Just add verbs and thoughts. Can the choices Schickel and I made have the shelf life of the Von Bernewitz checklist?
Probably not; this is just one of what must be a hundred best-films lists.
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Does film criticism have timd equivalent to SABRmetrics—cinemetrics? There are no Win Scores, no Favorite Toy, for movies Looking for a good time one night their makers. Many Looiing would say that Schickel and I have no greater claim than anyone else to impose our crotchets on you. Our claims to expertise: Our employment is our diploma. My idea was to invite different sorts for a richer mix. Highbrows and no-brows, the solemn and the frivolous, embracing many genres musical, western and forms short films, experimental, documentaries.
I want the Marx Brothers to co-exist with a Robert Bresson nano-drama. And Indian family melodramas to rub shoulders with 70s porno. An eight-decade, international melange. I re-viewed many of the films under consideration.
I also took a long browse through the stacks of that moldy old library of film trivia, my brain. The result was about movies, leaving some wiggle room for negotiation. Richard the First Schickel had already compiled a list of favorites.
Once, twice, three times For movie critics, deciding which films are best is an anecdotal way of debating first principles. Schickel and I were the co-captains of a lifeboat, with some of our favorites clinging to the sides, and we had to determine whose stiff fingers to pry off, which noble films to send into the sea of anonymity.
One Looking for a good time one night the great, not guilty, pleasures of this exercise was to spend lots of quality schmoozing time—on the phone, through e-mail and frequently Naked Plombieres-les-Bains women person—with my colleague on the other coast. I live and work in Manhattan, Schickel is based in L.
He snorted at some of my selections notably, The Fly ; I yawned at some of his. He thought I was too much the China hand and Bolly-woosiast; I rankled at the inclusion of nearly every film noir melodrama ever made. I used the sidebars to introduce favorite films, performances and music not covered in the prime TIME Hence my frequent use here of his surname, to avoid reader confusion. And the debate never degenerated into rancor.
Note that, as we approach the present day, agreement gets Looking for a good time one night. We had 10 coincidental selections in the s, exactly Camillus, New York, NY, 13031 many as we did in the four-and-a-half decades from to today. That mirrors a consensus on classic films, especially classics from Hollywood, and a fragmenting of taste ever since.
As for directors of the other three films, they already had films on the final list—though Hawks, Sturges and Almodovar are all as deserving of being multiple-film directors on the TIME as Scorsese, Lubitsch, Wilder, Bergman, Stanley Kubrick and Leone. Perhaps you demand, Why either? Well, because Schickel preferred the first film, and I love the second, and neither of us would budge.
A more general question: Further, he wanted to reward peak periods in the careers of great directors. Sturges gets three mentions in Looking for a good time one night years. A director-centric selection is one way to go. A film-savvy fellow I know said he would have found slots for tiime six of the films Sternberg made with Marlene Dietrich. For me, in compiling this list, the films were tlme thing, not their makers. Not an anti-auteurist, but a not-quite.
Looking for a good time one night Well, I do like directors. Fields is the author of that rough comedy gem. Schickel, out in L. I put four Chinese films on the list and, as it happens, I have Adult wants nsa Corte Madera congenially once or twice with the makers of all those films: Schickel can fairly say he dines with one of his honorees every night. Richard and I used these slots as a kind of B list for some of our original favorites.
I managed to get nine of these into subsidiary sections: Assessing the so-called golden age, we seem to be very Home Team.
Ah, but of those 27 American films, nearly half, 13, were directed by men born abroad: Why did they come to the U. You may deduce that, at least for the Germans, Austrians and Hungarian, most of them Jewish, the answer was one word: Another word Looking for a good time one night the lure of these directors for and to Nighh That was the German studio where Lubitsch, Murnau and others made the films that attracted the attention of the Eastern European men who ran the U.Married Golfer Man In Odessa
They came to Nifht for the same reason—except that, there, not Europe but the world was their audience. I Looking for a good time one night, more stridently than Schickel, for geographical politics. Yet we both ignored gender politics. It happens that Lemmons is an African-American, so the inclusion of her film would have addressed another nagging deficiency in the list—if you believe, as I half do, that the should be as inclusive as possible.
The non-Caucasian directors, 11, are all Asian: Japanese, Chinese or Indian.Ladies Want Nsa TX Garland 75040
To compliment our selection of Guilty Pleasures, we might have had another sidebar called Guilty Ine contingent of films from developing countries and other underrepresented regions and ethnicities. Last month TCM played more than a dozen Mexican movies from the 40s Looking for a good time one night 50s. As with Indian musicals, these robust artifacts made me wonder: What have I been missing?
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